Sauce Lord Rich Best of Us Free Download

Saucelord Rich dresses the part of a very of import man. On a Th morning in late September, the New York-born, Atlanta-based producer and rapper showed upwardly to the VICE office in a teal blazer, scarlet red velvet slippers, dark pants, and gold but nearly everything else. He could've been anything from a music mogul to a space-age bounty hunter. But over the grade of our conversation, he proved himself to exist a few things for certain: smart, creative, commanding, and fearless.

Along with FKi 1st, Rich is 1 one-half of FKi—the super-producer duo from Atlanta that has produced hit songs for the likes of 2 Chainz, iLoveMakonnen, Post Malone, Waka Flocka Flame, Immature Thug. Simply Rich'southward influence in the rap world doesn't stop at production. He'south too an sound engineer, working on his ain tracks and preparation other engineers who have gone on to be employed by big names like Kevin Gates. Having spent years behind-the-scenes helping other people fulfill their potential, Rich is ready to practice the aforementioned for himself.

Last month, Rich released his debut solo projection, Know Me "King Wolf"—a xiii-rails album, out now on 4AM Records, that goes far to explain his production aptitude. While primarily a rap album, the project grabs from electronic music, rap, and rock in ways that testify he has more of a deep agreement than a passing interest in those genres. Rich manages to create a universe where he is king, bestowing his knowledge of the globe to all of usa gathered to hear his word. It'due south the showtime stride in a journeying that Rich hopes volition turn him into a household name around the earth.

Our interview lasted an hr or then, and I spoke for maybe a total of 4 to v minutes over the grade of it. Rich is deadline a motivational speaker, with a knack for engaging y'all and bringing you lot into his vision. He addresses topics at length, but never speaks too much. In some means, his power to know when enough is plenty is another reflection of his music. Subsequently hearing him explain how the life lessons he's learned have made him the man he is today, and how he plans to reach the level of success he knows he deserves, I was a believer also. Pretty presently, yous'll be one too.

Saucelord Rich dresses the part of a very important man. On a Th morn in late September, the New York-born, Atlanta-based producer and rapper showed up to the VICE office in a teal blazer, cherry-red red velvet slippers, dark pants, and gold simply about everything else. He could've been anything from a music mogul to a space-historic period bounty hunter. Just over the course of our conversation, he proved himself to be a few things for certain: smart, creative, commanding, and fearless.

Along with FKi 1st, Rich is 1 half of FKi—the super-producer duo from Atlanta that has produced hit songs for the likes of 2 Chainz, iLoveMakonnen, Postal service Malone, Waka Flocka Flame, Young Thug. Merely Rich's influence in the rap world doesn't stop at production. He's besides an sound engineer, working on his own tracks and training other engineers who have gone on to be employed by big names similar Kevin Gates. Having spent years backside-the-scenes helping other people fulfill their potential, Rich is set up to do the aforementioned for himself.

Last month, Rich released his debut solo project, Know Me "King Wolf"—a 13-rail album, out now on 4AM Records, that goes far to explain his production aptitude. While primarily a rap album, the project grabs from electronic music, rap, and rock in means that prove he has more than of a deep understanding than a passing interest in those genres. Rich manages to create a universe where he is king, bestowing his knowledge of the world to all of u.s. gathered to hear his give-and-take. It's the first step in a journey that Rich hopes will turn him into a household name around the globe.

Our interview lasted an hr or so, and I spoke for maybe a total of four to v minutes over the course of it. Rich is deadline a motivational speaker, with a knack for engaging y'all and bringing yous into his vision. He addresses topics at length, but never speaks too much. In some ways, his ability to know when enough is enough is another reflection of his music. Subsequently hearing him explain how the life lessons he'south learned accept fabricated him the man he is today, and how he plans to reach the level of success he knows he deserves, I was a believer as well. Pretty shortly, you'll exist ane likewise.

THUMP: When did you realize that yous had a gift?

Saucelord Rich: I was existent competitive [as a kid] and always wanted to be the best at whatever I was doing. I never really practiced annihilation, I only sort of did information technology—play basketball, run track, everything. So I knew I had a gift but I didn't know what I was gonna practise. I idea I was gonna play basketball, merely then one day, I got on penalization. They took everything but my calculator. I started making beats and literally vicious in dear with that. I knew I was gonna go good.

I ever tried myself similar this crusade of my living circumstances. My house is so small, I couldn't invite people over. I was embarrassed—I didn't have a room. I didn't have a bed until my father got out of jail and he was selling drugs. I had my first bed and it was a water bed. That's my life, I went from no bed to a water bed. So when I exit the firm, I'm similar, I'm gonna live a superman life. I knew I was going to do something.

I ended up getting married into the hip-hop family [through my dad]—my stride-brother's grandmother is Sylvia Robinson and Joe Robinson, the whole Sugarhill Gang, "Rapper'due south Delight," all of that. As a kid, I'm going to the kitchen and Ronald Isley is in in that location. I seen how they was living and how everybody had large houses, driving nice cars. I'g from the projects, so I'm similar, "oh I'm doing this music matter. They are getting it!!" [laughs] The beginning big houses I seen was people who did music.

What were you lot being punished for and why did they permit you have a estimator?

Since forever I wake up early at 6 AM. I don't know why. I tin can't sleep that long. So I usually get up and accept a shower. Now when you younger, you call back yous up but yous non really up. And my father kept telling me similar, nigga you lot keep jumping and shouting, you lot gon' autumn comatose and then fuck some upwardly. I'thou like, "aye whatever nigga. You don't know what yous're talking about, this my life." [One morn] I go in [to take a shower], fall asleep, and flooded the whole business firm. H2o came through the ceiling, the fuckin' flooring, the ceiling—Smash, mad water just came through and I didn't know none of this happening. I actually fell asleep. I come out and see this large, gaping-ass hole dripping with water in the centre of the fucking firm. My dad is like, "yous see what you did, right? I fucking told you." I'thousand like, "Oh my god!" He punished me... forever [laughs].

But my father is merely a straight street dude. A computer to him is similar, "What are you gonna do, type on that?" He took my TV, my cool wearing apparel, my cool shoes, everything. All I had was this reckoner. And then I just got some headphones and started making beats. He just thought I was in my room beingness quiet all day.

So you had bring your entire house down for this shit to flourish?

Exactly. I brought my whole business firm down literally trying to be cool.

Were you raised in Atlanta?

No, I'one thousand from betwixt Harlem and the Bronx. My father's from Riverside, my mother grew up in the Bronx. I ended up moving to Georgia. My pops was on the run. He don't fifty-fifty live in Georgia no more. He lives back up hither [in New York]. I nevertheless live in Georgia.

What kept you lot there?

I guess the music. Information technology was the simply thing I had, cause when I came back from college, we didn't have our house or nothing no more. You can say the Feds came and took everything—our clay bikes, our dainty cars, our home, everything. We were living in a smaller, brownstone flat. My begetter was locked upward. So that forced me to go out and get an internship. Now I'm sleeping at 11th Street Studios, literally trying to alter my life, just making beats, trying to goddamn rap trying to make something happen crusade I didn't know what the fuck else I was gonna do.

Right now if this shit stops, I couldn't tell you lot what I would practice. I'chiliad not the best drug dealer in the world, just I probably would sell drugs cause I can't sell shoes, I can't work at a grocery store, I can't give speeches—the fuck am I supposed to do? I can't practise none of that shit, and so this gotta piece of work for me. That's why I am the way I am with this shit—cause in that location ain't zero else.

You're a pretty good speaker.

I'ma tell you some real shit: I went in my fucking bath when I was a kid, deadass, and was like, "God, if you actually desire me to believe you, modify my circumstances." It was that serious for me. My male parent got out of jail, just pulled up on a motorcycle, and was like, "Yo I exist back." He brought me to [his new] business firm, he got money, and I'm like, "Goddamn, I literally prayed and that shit happened." I literally prayed myself out of a situation.

I'thou even so always worrying nigh shit. I give a fuck nearly this shit. Cause this is all I can practice. I can't even spell that good nigga. They put me in a spelling bee correct at present, I'd exist fucked up. I tin can tell you all this, but I can't speak that properly—it just end upwards turning into cusses and real shit, like I'thou telling you son.

Would you say that you are more than like at Atlanta or New York with how yous approach the audio of your music?

I'thousand taking the New York lyricism and swag and jamming into a southern rhythm. This is how I await at it: information technology's hard for an older person to rock with the new generation because they tin't relate with what they're saying. But in that location's a person who's 60 who can similar Jay Z, and at that place's a xv-twelvemonth-old child who can like Jay Z cause the beats that he's picking and the things that he'south saying, one mode or another you lot're gonna take something from it. Big Daddy Kane, Pharrell, Jay Z— the manner they only do that shit, it's merely... I don't know.

It's like they're living larger than life. You feel like they're not really a human existence, but somehow they still are.

Thank yous. "Non really a human beingness simply somehow they still are." Good thing you lot understand what I'm proverb. [laughs] It's hard to say for me, I can't really explain information technology.

Right now if this shit stops, I couldn't tell yous what I would do. T here ain't nothing else.

FKi all came together when you moved back to Atlanta, right?

FKi 1st was from Cincinnati, and was [in Atlanta] like three or iv years in advance [earlier me].

At this time yous could count the black people on—y'all know what I hateful—and so somewhen we were gonna gravitate to each other. I met one black kid and he took me to the other black kid who took me to the other black kids, and 1st was just a function of that grouping. Now that whole place is jumping in the black. FKi 1st actually liked Jay Z at the time, and back in the day I was a Nas fan. Nosotros ended up getting into a large Nas and Jay Z statement and that led us to getting on the same bus and driving to the same neighborhood.

He's like, "Oh shit, you the person who moved into the fuckin neighborhood. What practice you do?"

"I brand beats. What do you do?"

"Fuckin make beats. That'southward crazy. I might come up to your business firm, I wanna hear your beats. I accept never met nobody who brand beats besides like me."

I go over like, "oh shit your beats are burn. come to my house." My father out there with fucking guns, a impenetrable vest, we are destroying the suburbs at this betoken [laughs].

How would you explicate your music—is it like, a certain setting, a scene in a kind of identify? Is it similar the mode y'all dress?

Have you e'er seen Face/Off?

Yeah.

Yous seen how Brush Troy was interim in Face/Off? He was uncontrollable. If he wanted a woman, he was gonna become a adult female at present. If he was gonna brand a move, he was gonna make a motility now. It wasn't based on anybody. I've been somebody who's had to wait to come up out forever. There was always stipulations. Tin can't do this. Can't do that. Now it's but like, fuck that. I feel like how [Castor Troy] felt. I know nearly the villain who's really supposed to be a hero, but by nature he ended upwardly beingness the villain. Yous ever meet that kiddie moving picture Megamind? He was supposed to be good person, but his ship fell into the jail cell, so now he retrieve existence bad is good because he didn't know amend.

Tell me about the anthology.

I merely wanted to make a project that when you click through the songs, you're getting a different side of a person. That'south kind of what the whole wolf thing is about. Because if you run into me in the day, you lot're not gonna recognize me at night. From ten AM to ten PM I'one thousand in the studio, and afterward that, you go into that dark layer like, that's when a wolf is created.

This is the trouble of my music. I'm always in a constant battle. It embodies somebody who stands in the heart of a state of affairs all the time. You lot'll hear it when yous mind to the music like, "oh he'southward in it."Nobody really represents that. Nobody talks about the reason why things are this way, or the reason why a woman feels this style. It's either like, "sing nice, tell them that yous gon dearest them forever." That'south what they gon practice—yous Drake them like, "Ooh baby daughter, you know you lot da best." And they like, "Oh I'yard the all-time." But who's the person who's like, "Yeah yous practice good ass shit, that shit be fire. But estimate what? You do foul donkey shit also and I still love you. For your foul donkey shit and your adept shit." [Laughs] I'm near the balance, I ain't tryna tip one way or the other.

You tell me my vanquish is tight? Hell no nigga. I need more than that.

I don't know who my music is for, that's what we trying to effigy out. Could be for people in New York, Atlanta, Texas, LA, I don't know. I always ask people to tell me who I sound like, and they be like, "I can't really say that yous sound like everyone." When that new thing comes, it's hard to actually judge it. I feel like that's where my music sits—right there where it'southward like, "are yous ready to take this run a risk and see if you can put something new in the world? Or are you just going to keep accepting what's happening?" I sympathise this business, everybody gotta eat, everybody gotta live. But it'southward always been art to me.

How far do you lot call up you can bring somebody out of their comfort zone at start earlier they get used to y'all? What do yous do to endeavour to brand it so it's not but like, throwing them off the cliff, just kind of sliding them downwards the rail?

Information technology'southward the manner the beats are. If you lot listen to my CD, the first vocal is like upward North lyricism jamming to a southern vanquish. So on "Top on Top," it's like Southern, it'southward making it feel like "Oh I like this, I wanna dab." By the time you start working through the CD, now you listening to a rock song. Now you coming into like ambient music. Just information technology'southward notwithstanding got that background, information technology'south nonetheless got that backdrop. So it's making y'all feel like, "Oh I didn't just leap off a cliff." But you're definitely sliding down a loma because the time you started at "King Wolf" and you lot get to "Butter"? You're coming off the cease of the slide, WOO! And "Moon Making Music" is when yous come off the terminate of slide.

People don't' do that no more than, they only like "alright, I'm gonna make some songs, it's gonna all be banging it through your ears and they're gonna love it considering information technology'southward banging through your ears." In that location was a time in the earth where you say "the beat was crazy" and the artist in the room is like, "and then what the fuck are you trying to say?" [laughs] Simply the world is so used to mediocrity, they could but be like, "oh the beat was crazy, man good," and y'all not even be the person who fabricated the vanquish! That shit ain't hot for me. When people hear my music, I want them be like, "That crush was difficult, his lyricism was hard, he had a little menstruation," Can't nobody gon running on this CD maxim he did goose egg. There's no outside person, every rhyme that y'all hearing came out of my brain. No one has e'er written for me in my life. I write for people. And then when people listening to my stuff I'm like damn, you heard it from this person, this person, and this person, and I wrote songs for all of them. You tell me my beat is tight? Hell no nigga. I need more than that.

I help people all the time. I train engineers fresh out of high school, kids who don't know what they gon practise, giving them jobs—Kevin Gates' engineer is mine. He came in hither like, "Bro you fire, I don't even understand why you're yet sitting here." I don't even know why I'm still sitting hither.

What practice you have to do to get to the side by side level?

At the terminate of the day. I'm trying to deliver something that'south impossible. This shit like hitting the lotto and I'k playing this shit everyday. You gonna run out of dollars! [laughs] I'm not winning, but you gotta believe that the lotto is going to change your life. We deadass trying. I'm at that place [in the studio] every day, making beats, writing songs, mixing shit, engineering shit, recording shit, doing everything.

Follow Trey Smith on Twitter

THUMP: When did you realize that yous had a gift?

Saucelord Rich: I was real competitive [as a child] and always wanted to be the best at whatsoever I was doing. I never actually skilful annihilation, I just sort of did it—play basketball, run track, everything. Then I knew I had a souvenir merely I didn't know what I was gonna exercise. I thought I was gonna play basketball, but then one twenty-four hours, I got on penalisation. They took everything simply my calculator. I started making beats and literally fell in dearest with that. I knew I was gonna go good.

I always tried myself like this cause of my living circumstances. My house is then minor, I couldn't invite people over. I was embarrassed—I didn't have a room. I didn't have a bed until my begetter got out of jail and he was selling drugs. I had my showtime bed and it was a water bed. That's my life, I went from no bed to a water bed. So when I get out the house, I'm similar, I'k gonna live a superman life. I knew I was going to do something.

I ended up getting married into the hip-hop family [through my dad]—my pace-blood brother's grandmother is Sylvia Robinson and Joe Robinson, the whole Sugarhill Gang, "Rapper's Delight," all of that. As a kid, I'm going to the kitchen and Ronald Isley is in there. I seen how they was living and how everybody had big houses, driving squeamish cars. I'm from the projects, and then I'm like, "oh I'm doing this music thing. They are getting it!!" [laughs] The first large houses I seen was people who did music.

What were you being punished for and why did they let you accept a reckoner?

Since forever I wake up early at 6 AM. I don't know why. I can't sleep that long. And so I normally go up and take a shower. Now when you younger, yous think you lot up simply you lot not really upwards. And my father kept telling me like, nigga you keep jumping and shouting, you gon' autumn asleep so fuck some up. I'yard like, "yeah whatsoever nigga. You don't know what you're talking about, this my life." [1 forenoon] I go in [to accept a shower], autumn comatose, and flooded the whole house. Water came through the ceiling, the fuckin' floor, the ceiling—BOOM, mad water just came through and I didn't know none of this happening. I really fell asleep. I come out and run into this big, gaping-ass pigsty dripping with h2o in the centre of the fucking firm. My dad is similar, "you see what you lot did, correct? I fucking told you." I'm similar, "Oh my god!" He punished me… forever [laughs].

But my father is but a straight street dude. A computer to him is like, "What are y'all gonna do, type on that?" He took my TV, my absurd dress, my cool shoes, everything. All I had was this computer. Then I just got some headphones and started making beats. He just thought I was in my room existence quiet all twenty-four hour period.

So yous had bring your entire firm down for this shit to flourish?

Exactly. I brought my whole house down literally trying to be cool.

Were y'all raised in Atlanta?

No, I'm from between Harlem and the Bronx. My begetter's from Riverside, my mother grew up in the Bronx. I concluded upward moving to Georgia. My pops was on the run. He don't even live in Georgia no more. He lives back upwards here [in New York]. I still alive in Georgia.

What kept you there?

I gauge the music. It was the just thing I had, cause when I came dorsum from college, we didn't have our business firm or cipher no more. You can say the Feds came and took everything—our dirt bikes, our dainty cars, our dwelling house, everything. Nosotros were living in a smaller, brownstone apartment. My male parent was locked up. So that forced me to get out and get an internship. Now I'thou sleeping at 11th Street Studios, literally trying to change my life, just making beats, trying to goddamn rap trying to make something happen crusade I didn't know what the fuck else I was gonna do.

Right now if this shit stops, I couldn't tell you what I would do. I'1000 not the all-time drug dealer in the world, merely I probably would sell drugs crusade I can't sell shoes, I can't piece of work at a grocery shop, I can't give speeches—the fuck am I supposed to do? I can't exercise none of that shit, and then this gotta work for me. That'due south why I am the way I am with this shit—cause there own't zero else.

You're a pretty skilful speaker.

I'ma tell you some real shit: I went in my fucking bathroom when I was a kid, deadass, and was similar, "God, if you really want me to believe you lot, modify my circumstances." Information technology was that serious for me. My father got out of jail, just pulled up on a motorcycle, and was similar, "Yo I be back." He brought me to [his new] house, he got money, and I'm similar, "Goddamn, I literally prayed and that shit happened." I literally prayed myself out of a situation.

I'm yet ever worrying virtually shit. I give a fuck about this shit. Cause this is all I can practice. I can't even spell that expert nigga. They put me in a spelling bee right now, I'd exist fucked up. I can tell you all this, but I can't speak that properly—it just end up turning into cusses and real shit, like I'm telling you son.

Would you say that you are more similar at Atlanta or New York with how you approach the sound of your music?

I'm taking the New York lyricism and swag and jamming into a southern rhythm. This is how I look at it: information technology's difficult for an older person to rock with the new generation because they can't relate with what they're maxim. Simply there'southward a person who's 60 who can similar Jay Z, and there'south a 15-year-onetime child who can like Jay Z cause the beats that he's picking and the things that he's maxim, one way or another yous're gonna take something from information technology. Big Daddy Kane, Pharrell, Jay Z— the way they just do that shit, it's just… I don't know.

It's similar they're living larger than life. You lot experience like they're not really a human being, but somehow they even so are.

Thank you. "Not actually a human being but somehow they still are." Good affair you understand what I'chiliad saying. [laughs] Information technology'due south difficult to say for me, I tin can't really explicate it.

FKi all came together when yous moved back to Atlanta, right?

FKi 1st was from Cincinnati, and was [in Atlanta] similar three or four years in advance [before me].

At this time y'all could count the black people on—you know what I mean—so eventually nosotros were gonna gravitate to each other. I met ane black kid and he took me to the other black kid who took me to the other black kids, and 1st was but a part of that grouping. At present that whole place is jumping in the black. FKi 1st actually liked Jay Z at the time, and dorsum in the twenty-four hours I was a Nas fan. We ended up getting into a big Nas and Jay Z statement and that led united states to getting on the same motorbus and driving to the same neighborhood.

He's like, "Oh shit, you the person who moved into the fuckin neighborhood. What practise you exercise?"

"I make beats. What do you lot exercise?"

"Fuckin make beats. That's crazy. I might come to your business firm, I wanna hear your beats. I accept never met nobody who brand beats too like me."

I go over like, "oh shit your beats are fire. come to my firm." My father out there with fucking guns, a impenetrable vest, we are destroying the suburbs at this point [laughs].

How would you explicate your music—is it like, a certain setting, a scene in a kind of place? Is it like the way you wearing apparel?

Have y'all ever seen Confront/Off?

Aye.

You seen how Castor Troy was acting in Face/Off? He was uncontrollable. If he wanted a adult female, he was gonna become a woman now. If he was gonna make a move, he was gonna make a move now. It wasn't based on everyone. I've been somebody who'south had to wait to come out forever. There was always stipulations. Can't do this. Can't practise that. Now it's just like, fuck that. I experience similar how [Brush Troy] felt. I know well-nigh the villain who'southward really supposed to be a hero, but by nature he ended up being the villain. You ever come across that kiddie movie Megamind? He was supposed to be skilful person, only his ship savage into the jail prison cell, so now he think being bad is skillful because he didn't know ameliorate.

Tell me about the anthology.

I simply wanted to make a project that when y'all click through the songs, you're getting a unlike side of a person. That's kind of what the whole wolf thing is well-nigh. Because if you encounter me in the solar day, you lot're not gonna recognize me at dark. From 10 AM to ten PM I'm in the studio, and after that, y'all go into that nighttime layer like, that'south when a wolf is created.

This is the trouble of my music. I'm always in a constant battle. Information technology embodies somebody who stands in the middle of a state of affairs all the fourth dimension. You'll hear it when you listen to the music like, "oh he's in information technology."Nobody really represents that. Nobody talks about the reason why things are this way, or the reason why a woman feels this way. It'due south either like, "sing overnice, tell them that you gon love them forever." That'southward what they gon exercise—you Drake them like, "Ooh baby girl, you know you da best." And they like, "Oh I'm the best." But who's the person who'south like, "Aye yous do good ass shit, that shit be fire. Merely guess what? Y'all exercise foul ass shit likewise and I all the same love yous. For your foul ass shit and your good shit." [Laughs] I'm about the balance, I ain't tryna tip ane way or the other.

I don't know who my music is for, that's what nosotros trying to figure out. Could be for people in New York, Atlanta, Texas, LA, I don't know. I always ask people to tell me who I sound like, and they be similar, "I tin't really say that you sound similar everyone." When that new affair comes, it's hard to really guess it. I feel like that'southward where my music sits—right there where it's similar, "are you lot ready to take this gamble and see if you tin put something new in the earth? Or are you lot just going to continue accepting what's happening?" I empathize this business concern, everybody gotta eat, everybody gotta alive. But it's ever been art to me.

How far practice you think y'all tin can bring somebody out of their comfort zone at commencement before they become used to you? What exercise you lot do to try to make it and then it's not just like, throwing them off the cliff, but kind of sliding them downward the runway?

It's the way the beats are. If you listen to my CD, the first vocal is similar upward North lyricism jamming to a southern shell. So on "Peak on Top," it's similar Southern, it's making it experience like "Oh I like this, I wanna dab." By the time you start working through the CD, now yous listening to a rock song. Now you coming into similar ambience music. Just it's still got that background, information technology'due south still got that backdrop. And then information technology's making you feel like, "Oh I didn't just jump off a cliff." But you're definitely sliding downwardly a colina because the time you started at "Male monarch Wolf" and you get to "Butter"? You're coming off the stop of the slide, WOO! And "Moon Making Music" is when y'all come off the end of slide.

People don't' do that no more, they just like "alright, I'grand gonna make some songs, it'south gonna all be banging it through your ears and they're gonna honey it because information technology's banging through your ears." There was a fourth dimension in the world where you lot say "the beat out was crazy" and the artist in the room is like, "then what the fuck are y'all trying to say?" [laughs] Only the world is and so used to mediocrity, they could just be like, "oh the beat was crazy, homo good," and yous non even be the person who made the shell! That shit ain't hot for me. When people hear my music, I want them be similar, "That crush was hard, his lyricism was difficult, he had a trivial flow," Can't nobody gon running on this CD saying he did nothing. In that location'south no outside person, every rhyme that you hearing came out of my brain. No one has ever written for me in my life. I write for people. And then when people listening to my stuff I'm like damn, you heard information technology from this person, this person, and this person, and I wrote songs for all of them. You tell me my beat is tight? Hell no nigga. I demand more than that.

I help people all the time. I train engineers fresh out of high school, kids who don't know what they gon do, giving them jobs—Kevin Gates' engineer is mine. He came in here similar, "Bro you fire, I don't even empathise why you're still sitting hither." I don't even know why I'1000 still sitting here.

What practise you have to practice to get to the next level?

At the stop of the twenty-four hour period. I'yard trying to evangelize something that's incommunicable. This shit similar hit the lotto and I'm playing this shit everyday. Yous gonna run out of dollars! [laughs] I'm not winning, only you gotta believe that the lotto is going to change your life. We deadass trying. I'm in that location [in the studio] every day, making beats, writing songs, mixing shit, engineering shit, recording shit, doing everything.

Follow Trey Smith on Twitter

DOWNLOAD HERE

Posted by: portwoodnolibleyou.blogspot.com

Share this post